

Jane Warr opened the side door and steppedthrough, her back turned to him as she pulled the doorclosed behind her. He loped up the driveway, fully exposed for a moment,and stopped just at the corner of the garage, in ashadow beneath the security light.

Thesnow crunched underfoot as he stepped out the snowwas coming down in pellets, rather than flakes, and theystung as they slapped his warm face. The big man, rolling down the highway ina battered Cherokee, killed his lights, pulled into thedriveway, and took the shotgun off the car seat. The Buick disappeared into the garage and the doorstarted down. The predatory Mayans encounter Spanish explorers who will prove to be a bigger predator still.1 Thursday night, pitch black, blowing snow.Heavy clouds, no moon behind them. Apocalypto concludes with Jaguar Paw reuniting with his wife and setting out to start a new life. He and his lead pursuer share a moment of mutual respect, since he put up a good fight. Apocalypto portrays the Mayans as the obvious aggressor, a civilization that will be undone by its own corruption and cruelty.Īt the end of The Naked Prey, the safari manager makes it back to the safety of the colonial fortress his party emerged from in the beginning. As it is mentioned in the opening narration, men “became like the beasts”, and so the whole chase could be seen as predator vs. The tribesmen hot on his trail probably aren’t any worse than those from other tribes. There are no heroes or villains in Prey. The safari manager isn’t necessarily a bad person, but he works for people who have less than noble plans for the African continent. The Naked Prey is morally ambiguous compared to the clear-cut villainy of Jaguar Paw’s pursuers. Rather than fighting for basic survival, however, the character, Jaguar Paw, is in a race against time to rescue his pregnant wife who was left behind. Similar to Prey, one of the captives manages to escape. The few that are spared a sacrificial death are used for target practice by the raiders. The survivors are taken to the Mayan city where the men are gruesomely sacrificed to the gods. The portent proves accurate when a raiding party storms the tribe’s village. The other tribe willingly offers them fish as a tribute to pass through, while ominously saying their own lands had been ravaged. Unlike the ivory hunters, they have lived off the land for many generations. There is a similar scene in Apocalypto when the tribal hunting party encounters another tribe in the jungle.

They view the pursuit as a sport until their prey proves more formidable than they anticipated. Instead of a torturous demise, he is given the chance to flee naked and unarmed while pursued by the tribesmen. The safari leaders, aside from the manager, are subjected to grisly deaths. The tribe later invades the party’s camp. There is a clear contrast between the safari manager, who is more principled and respectful, and the financier, who is belligerent and opportunistic.

He is ignored by the man financing the expedition, who proceeds to insult the tribesmen. The manager of the expedition advises that they give into the request to avoid trouble. After killing a number of elephants, they run into a local tribe who amiably demand tribute from the party to pass through their lands. A group of ivory hunters are then introduced. It describes Africa 100 years ago ( Prey was released in 1965) as being rife with slave trading, ivory hunting and tribal warfare where “men, lacking the will to understand other men, became like the beasts”. The Naked Prey opens with narration that sets up the primary conflict in the film.
